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Juan Muñoz: Last Conversation Piece (1994-1995), Hirshhorn Museum

(*) Journalism, politics and history share an attraction to lie as a raw material of their respective genres. The fascination lies beyond their moral condition and is attached to its scandalous nature. Attracts a provider need imagination, but it does not take effect until it gets deny the facts, de-do them. The success of the lie need of repetition, which has pretensions of mantra, liberation of thought that confuses the mind and the tedium of reality that overwhelms the lives of men. His record is like a prayer, an invocation to some deity appealed to avoid its contrast with the facts. Dither

stories with lies as a tissue has the potential of the arts, whose works are a failure and are unlikely when folded to the facts. In The Decay of Lying a treaty paradoxical about it, Oscar Wilde said that "it is an inescapable duty to try the renovation of the old art of Lying." It does not refer to lying utilitarian practice of parents in the education of children or politicians in the management of the masses to tame both generations, but "the only form of lying is absolutely beyond reproach, the lie for lie, [the] highest manifestation is the Lie in Art "

The modern political lie is not to miss what was promised or betraying a pact, practices whose morality is more than repaid, but in making an illusion that goes beyond the facts of the flat really sad disrepute. Word and loyal demand too much time to check its validity and become burdens to a policy whose success depends on the repetition of images and instant messages, so ephemeral and replaceable by others of the same nature. The dual representation consisting of political, theatrical and formal delegation of power to the voters, you need a scenario where lying is a more of the actors and appeal of fiction.

Only in those countries of Protestant culture, where lying is a sin, lying is religious policy and can incapacitate the author for betraying the public conduct that is expected of him. Coincides with the public lie that sin does not prescribe and the indelible character increases his legend. Both need of forgiveness for redemption, but not to be forgotten. However, it differs in that its opposite is not true (virtue), but the fact. Clinton's initial lies about his relationship with Monica Lewinsky and Ted Kennedy's Chappaquiddick accident break the exemplary character attributed to the public but also unleash their human legend. Moral fiction is replaced by popular fiction. In the public lie, discovered by the media and fervently awaited by the viewers, there is a secular power and liberating character of the libretto but the process of accusation and redemption through confession is religious. The object is to restore both the fact and the return to the fold. The same messenger who exploits his deceptions, journalism, is responsible for recovering and enthrone the event, amid the stories being invented as a futile attempt to breach the public but useful food.

The lie is different from crime in its force and its difficulty to be encoded, thus exempted from the law and the extent of time. Lying about the past is no escape but for the future do discredit the accused, since it is not rebutted. That is the utility of the indictment of Senator Joe Wilson Obama and that makes the weakest point of his speech on health care reform before Congress when the president promises that illegal immigrants have no guaranteed health care (not provided) by the government. The senator added two notes to increase the power of the indictment: describes his act of "spontaneous", associating it with sincerity that is often attributed to intuition, and his apology is personal, and not to the president before Congress, avoiding Temple could accuse himself a liar. Wilson is a craftsman of the lie.

(These lowlands goes without saying that this does not have many overtones of being true)

(* ) Posted in Nickjournal, September 30, 2009.

Waterproofing Paint Shoes

lying Ruinas

(Robert Polidori, Auditorium in school # 5, Pripyat, 2001, series on Chernobyl)

(*) was television, from 1946, the butler humanism topped by a shot, since he already lived a period of grace, granted by the magical aura of the book: an extension of their inability to transgress anthropocentric sense of the nature of man, just wondering about its essence. Understanding humanism as a factor of man as rational animal, which is unlimited n but composed only of numbers. His executioner began as the radio, since 1918 and World War I as the first scene of rubble, but the voice was not strong enough: it lacked the image, to replace the written language as a means of emancipation of man but also for the domestication of and organizing mass societies. Bourgeois humanism was an idealist and emancipatory project led through the school, thus domesticating. His faith in the book is, however, inheritance of the ancient world. World War II put an end to the function in a derelict theater in which eminent humanists like Márai Zweig and held the office of the dead. In your case on your behalf, with all the dignity of his literary and personal trajectories and the consistency of their suicides, punctual, almost prescient, the Zweig.

[...] After I left and I felt embarrassed in front of the old woman and good woman who, in a naïve and yet truly human, had been faithful to the memory of the deceased. For her, the woman with no education, at least he kept the book to remember it better. I, however, Mendel I had forgotten the books for years. Just me, I should know that books are only written for, above their own breath, uniting human beings, and thus defend against the relentless back of all existence: the transience and forgetting. (Mendel books, Stefan Zweig)

The coroner of the death of humanism was Heidegger who could see its limitation as a subordinate of language: "If a man must one day reach the vicinity of being, it is necessary first learn to exist in what has no name "(Letter on Humanism ). On the ruins of two world wars and two European genocide, enter Charter in 1946, published a year later. This arises from the question that makes her young admirer, Jean Beaufret: How again give meaning to the term humanism? In response, Heidegger does not yield to the proposed resurrection, imputing to question the intention of retaining the term: "I wonder if required. "The tragedy involving such labels is not yet evident enough?" Disgrace which attributes the origin and the type of advertising effect term (-ism) and, therefore, in neutralizing power of thinking about the substance of man, as the language that essentially wraps and advertising is their way of mass dissemination. Heidegger wide shot and directed against the ideas of Sartre Existentialism Is a Humanism? , whose first version was published shortly before, in 1945.

In turn, recognition and response to Heidegger come together to Sloterdijk, who defines humanism in Standards for Human Park as "telecommunications founder of friendships made in the medium of written language . That since the time of Cicero come humanitas naming is (...) one of the consequences of literacy. (...) At the core of humanism and understood discover a sectarian or club fantasy: the dream of a predestined solidarity among those select few who can read "

Today, as happens in hiding the philosophical debate (so secret that danger of slipping into the Kabbalah), the match between the remains of humanism and ruptured by an ontology that calls to ask about the essence of man, the new barbarians and courteous imposed amid cries of confusion. Circus star in both the stands and the old position of Caesar, field by aggressively brandishing our respect and humanistic values \u200b\u200bsuch as old peace with the gall and arrogance of those who know the judge, parties and court of appeal. Will be a long while, Marx in the historical sense, but despairing of the revolution that began Wittgenstein and Heidegger. Since subjects will manufacture the concert of Havana domineering communion achieves both mass and appropriates the symbol-the Plaza of the Revolution, and is organized from the business of power, the alliance between money (a section of Miami ) and dictatorship, with the support of dissidents, which narrows the margin. Against the peace of the barbarians that plague one of the best music that takes time in the making, the Cuban gainsay the only cure for peace possible, thinking and the release of old domains of power of these mercenaries. Given the scenario, it misses the illustrious humanism.

(* ) Nickjournal Published September 23, 2009

Dental Hygienist Tattoo

humanism "Democratic House?

(*) No MP but the photo of William Eggleston , or at least the title of the retrospective exhibition of his work takes place at the Corcoran Gallery . The democratic character comes from its work plan, based to address both issues as objects with absolute "equality", ie, neutrality and the same care and technique for them. Neutrality is characterized by its subordination to the environment and is intended to reflect prior and external to the photographer and thus owned and reconocibl and for all. Hence the picture is not engaged or, rather, that in the few that makes the fig ture and faces are common objects in that landscape, as interchangeable as the main street, the diners, shops and everyday scenes of people it portrays. For the portrait, especially the power, already Richard Avedon.

sign in daily life as democratic, equalizing factor of the characters, places, objects, advertisements and symbols that make it up, where it develops Eggleston. Common sight everyday as two generations, their contemporaries, and so constant that is tradition. It is no coincidence that declared his lack of interest in Elvis Presley, once it has completed the commissioning of the Rolling Stone magazine about her figure, but instead portrays furniture, curtains and mirrors, corners of his house looking for symmetries in which the viewer can recognize the same house and same taste. Kitsch aesthetics equals that of any other house of his countrymen. Democracy also appears on the stability and absence of tragedy and epic that defines the landscape and how (it) is of the everyday. The root of its emphasis on normality and usually is in the images of his childhood and youth, taken from their environment, villages and small towns in Tennessee, Mississippi Delta and the South in general. Soon he wanted a democratic endorsement of his work to find a wider audience, turning to color and definitely enthusiastic, and using a technique (print dye-transfer ) that highlights the colors to get a hyper effect. The strength of color and the urban landscape as a neon sign in the viewer's memory. But these operations are never really as perfect as they are counted and Eggleston knew his work and experience of the public on a common landscape bordered with the same dreams, which are perverted, frustrated or made and individually.

(*) Nickjournal Published September 4, 2009 .